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Jean Baptiste Camille Corot
THe Wagon
mk170
1874
Oil on canvas
47x56.8cm
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Jean Baptiste Camille Corot
Farmhouse in Normandy
mk192
c.1872
18x24in
Norton Simon Museum
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Jean Baptiste Camille Corot
The Merchant-s Quay at Rouen
mk192
1834
43x68in
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Jean Baptiste Camille Corot
Three Cows at the Pond
mk221
1855-1860
Oil on canvas
31x54.5cm
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Jean Baptiste Camille Corot
Horseman on the road
mk221
1860-1865
Oil on canvas
40x56.5cm
France
1796-1875
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Jean Baptiste Camille Corot
a the vaquero on the Riverbank
mk221
1865-1870
Oil on canvas
39.4x56.3cm
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Jean Baptiste Camille Corot
souvenir de mortefontaine
mk247
1864,oil on canvas,25.5x35 in,65.5x89 cm,louvre,paris,france
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Jean Baptiste Camille Corot
rural scene
mk247
1875,oil on canvas,musee toulouse lautrec,albi,france
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Jean Baptiste Camille Corot
skottkarran
mk248 i likbet med millet ocb daumie bade pissarro en djup respekt for arbetare dessutom var ban involverad i socialistisk politik. aven om ban var val bekant med umbaranden avbildade ban aldrig kroppsarbete som nagot svart eller mindervrdigt arbete reglerar krop ocb sjal pa ett underbart satt. fag glommer all sorg ovb bitterbet ocb kan till ocb med strunta i det for arbetets gladje. har bar en kvinna med balm i famnen stannat till under vad liknar en trium fbage formad av appeltraden.
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Jean Baptiste Camille Corot
appelskord i ariccia
mk248 ettav corots silverskimrande landskap i vilket ban fangar en ogonblicksbild av ljud ocb rorelse pa ett sadant utsokt satt att bans appek plockerska nastsn kunde uara en av nymferna i en claude lorrains bilder hennes nagot diffusa gestalt bar knappast vittnesbord om att corot senare skull bli en driven malare av kvinnoportratt ocb kvinnostudier,
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Jean Baptiste Camille Corot
Rochelle Hong Kong
mk250 Year in 1851, Oil on canvas, 50.8 x 71.1 cm. U.S. city New Haven, Yale University Art Gallery.
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Jean Baptiste Camille Corot
Woman with a Pearl
Woman with a Pearl. Paris: Mus??e du Louvre.
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Jean Baptiste Camille Corot
The Bridge at Narni
The Bridge at Narni, 1826. Oil on paper. Paris: Mus??e du Louvre. A product of one of the artist's youthful sojourns to Italy, and in Kenneth Clark's words "as free as the most vigorous Constable".
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Jean Baptiste Camille Corot
Venise, La Piazetta
Venise, La Piazetta
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Jean Baptiste Camille Corot
Ville d Avray
Ville d??Avray. (c. 1867). Oil on canvas. Washington, D.C.: National Gallery of Art.
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Jean Baptiste Camille Corot
woman in blue
1874
paris, louvre
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Jean Baptiste Camille Corot
The Harbor of La Rochelle
English: "The Harbor of La Rochelle," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 19 7/8 in. x 28 1/4 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn.
Date 1851
cyf
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Jean Baptiste Camille Corot
Madame Legois
Date 1838
Medium Oil on canvas
Dimensions 53 ?? 40 cm (20.9 ?? 15.7 in)
cyf
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Jean Baptiste Camille Corot
Le Pont de Mantes
Oil on canvas, ca. 1868 - 1870
cyf
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Jean Baptiste Camille Corot
L'Etang aux trois Vaches et au Croissant de Lune
35.5 x 53.4 cm, oil on canvas
Date c. 1850(1850)
cyf
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| Jean Baptiste Camille Corot
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1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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